2011 – Some Year-End Stats

I received my first iPod for Christmas, 2004. I’ve been working on building a good collection for seven years. In Sepetmber, 2008, I began to write about the process, and in September, 2009, I started writing short essays about the artists with the most songs. Right now, I’m plodding through Elton John, #45 in the big countdown.

Actually, there are only 44 artists left to do. I counted Eric Clapton twice (#15 and #26) in the original list of artists with ten or more songs. Perhaps this was understandable, since he had significant careers with several bands.

I’ve slowed down a bit, preparing two essays per month for the last few months. It can be a grind, but I’m compelled to finish what I started, sooner rather than later. These top musicians are complicated to evaluate; most have a long career, with as many as several hundred recordings. I don’t try to listen to every song; the best I can do is suggest a succinct collection of songs, based on what I already know, hoping to add a few gems by taking a last look at the reviews. Also, the number of artists that I expect to present a comprehensive list of songs has dwindled. The Beatles and possibly Creedence Clearwater may receive that treatment. It has become easier to have a sharp axe, and eliminate mediocre hit songs, or a pleasant album cut that does not augment the breadth of expression.

I usually spend a 5-10 days listening to each artist’s music before I begin writing. I like to get the ratings in order first. Some artists get old after a while, but I detour into other music often enough to keep my sanity. I organize the thoughts in my head, then hope it spills out OK.

I can’t imagine completing the 44 remaining essays this year. Two years sounds about right. I wish I could do it faster, but two per month appears to be the going rate; I’ve devoted a considerable amount of time this year. I have another nice writing project, a book about golf architecture, that is ready to pick up on a moment’s notice, but I move ahead with the blog, working towards the finish line. It’s a far more emotional project, and the only reason I would stop now is to take a sanity break.

The grand plan is to select 48 more artists to profile, for a round total of 200. The extra 48 profiles would be shorter, but might still take a year or more. Instead, I might eliminate two profiles for a total of 150. In either case, I will reorder the artists into a final countdown, perhaps using number of stars awarded as the ranking criteria. The rankings have moved around significantly since the project began. No matter how I order the list, it’s the artist selected, those that entered my life somehow, that matter.

As of August 27th, 2009, I finished rating all the songs in the original collection. Here’s how it broke down 28 months ago:

8244 songs
97 five star songs: 1.2%
915 four star songs: 11.1%
2615 three star songs: 31.7%
3492 two star songs: 42.4%
1112 one star songs: 13.5%
12 zero star songs: 0.1%

Today, December 27th, 2011, the collection looks like this:

9246 songs
98 five star songs: 1.1%
895 four star songs: 9.7%
2659 three star songs: 28.8%
4100 two star songs: 44.3%
1483 one star songs: 16.0%
11 zero star songs: 0.1%

Since August, 2009, I have added 1454 songs to the collection. 452 songs have been removed, though 100-150 of these are replacement versions of songs, with better sound quality. Today, songs are a bit less likely to receive a high or low ranking; after so much listening, more songs sound like twos or threes as I progress. Still, the 1%/10% distribution of fours/fives stays intact, and that’s without much forethought. Overall, the collection, though only moving from 8200 to 9200 songs, is much improved.

Happy New Year, everybody. Please know that I don’t promote or advertise the blog at this time. I appreciate my friends who check in periodically. It’s a five plus year project, after which I’d decide if and how I’d clean it up and present it. I’m one of the first guys to rate songs individually, which is how iTunes and other online music shops work. Some people find rating music abhorrent; please understand I am trying to honor the music, and offer suggestions based on what sounds best to me.

38. Michael Jackson

Michael Jackson was a singer, dancer and composer from Gary, Indiana. The fifth of nine children, Jackson was a child prodigy, blessed with uncommon, early singing and dancing ability. His father, Joseph Jackson, worked as a U.S. Steel crane operator, but pursued a second career in music — first playing guitar in local bands, and then developing a family musical act. By age five, Michael earned a spot in the group; by the time he was eight the band was winning major talent contests, including the legendary amateur night at Harlem’s Apollo Theater. The ambitious father was a strict disciplinarian; he trained his sons relentlessly, a regime of rehearsals and performances both locally and on the chitlin’ circuit. The hard work paid off. Gladys Knight saw the Apollo Theater performance, and alerted Motown Records founder Berry Gordy to the Jackson 5 and their fine young singer.

Michael Jackson is ranked third on a list of the best selling recording artists in pop music history.


The Jackson 5:

Wikipedia Biography of the Jackson 5
Joseph Jackson (b. 1928), manager, patriarch

Michael Jackson (1958-2009), singer, dancer, songwriter
Jermaine Jackson (b. 1954), singer, bass
Sigmund “Jackie” Jackson (b. 1951), singer
Marlon Jackson (b. 1957), singer, dancer
Toriano “Tito” Jackson (b. 1953), singer, guitar
Randy Jackson (b. 1961), singer, musician

A Few Notable Contributors:

Rod Temperton (b. 1947), songwriter, producer, keyboards
Quincy Jones (b. 1933), producer
Greg Phillinganes (b. 1956), keyboards
Steve Porcaro (b. 1957), keyboards, composer
Louis Johnson (b. 1955), bass

The Jackson 5 and The Adolescence Theory

Berry Gordy signed the Jackson 5 in late 1968. By early 1969 they were hard at work at Motown headquarters in Detroit; within months they moved their base of operations to Los Angeles, under the leadership of The Corporation. Starting in December, 1969, they accomplished a unique feat, the first four singles going #1, and they did it in only ten months. All four are great, irresistible pop songs. In these earlier songs, both Michael and Jermaine sing lead parts.

I Want You Back
The Love You Save
I’ll Be There

There’s a nice connection with another favorite band of mine. The Crusaders’ Wilton Felder plays bass on all four songs.

“The Love You Save” intrigues me. I can’t decide whether it is their best song, or the fourth best. Musically, it’s a bit more complex than the others, and there are passages which soar.

I was eleven when the Jackson 5 reached my neighborhood. A brand new neighborhood after my parents divorced, complete with lots of kids my age, and lots of sports and music. What a great time in my life. Golden days, and the music was so important, it sounded so good.

I have two competing theories about pop music. First, that music reached a creative peak around 1970, a period of great innovation when electrified instruments, plus the breakdown in traditional genre identification, blew the doors of creativity wide open. There’s a competing theory that a person’s core musical interests are formed in adolescence. In my unofficial polling of friends, many are attached to the music of their childhood. Young people tend to have more free time to listen and appreciate music with friends.

I wonder how biased I am. Look at how many acclaimed artists were active in 1970. The Beatles shattered boundaries; albums like Revolver and Sgt. Peppers Lonely Hearts Club Band draw upon Indian and psychedelic influences, and use whatever instrument works best. Motown Records, aka Hitsville U.S.A., blurred the line between African-American and mainstream popular music. The Chicago blues mutated into heavy guitar rock by Jimi Hendrix and groups such as Fleetwood Mac, the Rolling Stones and Led Zeppelin, while modal jazz piqued the interest of The Allman Brothers. The Latin rhythms popularized by founding fathers like Chano Pozo, Machito, and Tito Puente found their way into the mainstream. James Brown, The Who, The Doors and many others were at or near the top of their game. Popular music reached a final zenith of creativity here, and this era of music is the backbone of my collection.

For a couple of years, The Jackson 5 dominated with their deceptively powerful songs, and Michael Jackson was a shining star, and a lifetime master of the hit song.

The Transition

The Jackson 5 followed with two consecutive #2 hits, “Mama’s Pearl” and “Never Can Say Goodbye”, after which they only had one top 5 hit, 1973’s “Dancing Machine”. The Jacksons matured, Michael’s voice changed, and the band moved to Epic Records after an acrimonious breakup with Motown. The ambitious Jacksons pushed forward, with four new albums of songs between 1976 and 1980. “Shake Your Body (Down To The Ground)” is a standout, but given the strength of my collection, and considering Jackson’s overall contribution, I include four Jacksons songs, and leave it to true fans to fill in the gaps. To me, these songs are less distinctive. I prefer a tight list of songs to remember him by. A crucial detail to remember: during these years, he honed his adult singing style, and started to pursue his solo career in earnest.

It took me many years to figure out that Off The Wall was a great record. The title song “Off The Wall” has been my favorite Michael Jackson song for decades; a real knack for syncopation, and his angelic vocals are those of a special man trying to make a statement. If there’s a flaw in this and many of Jackson’s greatest hits, is the occasional weak lyrical passage. Jackson often chooses contemporary slang to build his stories, and these words can sound dated. In one case, it stuck with me forever:

“So tonight, better leave that nine to five up on the shelf, and just enjoy yourself. Groove, and let the madness in the music get to you, life ain’t so bad at all, when you live it off the wall.”

— Michael Jackson

The King of MTV

Riding high from the success of Off The Wall, but stung by a lack of Grammy Awards from the National Academy of Recording Arts of Sciences, Jackson redoubled his efforts. Utilizing the new medium of music video, and drawing upon his lifetime of dance choreography, Jackson released Thriller in 1983. Momentum for the album was gradual, but after his iconic dance performance at the Motown 25th Anniversary show in March, 1983, sales exploded. Michael emerges as a bigger star than ever before.

Thriller is a virtual greatest hits compilation, three years of hard work and perfectionism. It’s hard to deny its brilliance. You can still hear guitar riffs pushing songs along, but it’s a last gasp for this type of soul music. A darker vision begins to surface; “Wanna Be Startin’ Somethin'”, “Billie Jean” and “Beat It” all have a hint of paranoia. The King of Pop videos are excellent and saturate television, when there were fewer channel choices. Thriller is, by far, the best-selling album of all time, with over 110 million units sold. I didn’t buy the album until years later. In 1983, I bought 45 RPM singles when I could. It was an efficient way of to collect songs. I have about six of the original 45s. Some of them have picture covers, which are really snazzy.

For Michael Jackson, and perhaps him alone, the official videos should be featured:

The next album, 1987’s Bad, has a great title song, features five #1 hits, and sold thirty million units, which deeply disappointed Jackson. The song “Bad” yields my favorite satirical video; Weird Al Yankovic’s super phat video. Of the other four hits, I only have “Man In The Mirror”, adding three #1 hits to the short list of those not included. After Bad, I started losing interest in Jackson’s music. I did purchase Dangerous four years later. Again, immensely popular, but heading deeper into darkness, and further from the happy, beautiful music of his prime.

Asperger’s Syndrome

There is speculation that Jackson was an “aspie”, a mildly autistic savant. I agree. Recently, I watched a Woody Allen documentary, part of the American Masters series on public broadcasting. After listening to Allen’s mother describe how hard it was to care for such an energetic child, I looked up a list of famous people suspected of being “aspies”, and found both Woody Allen and Michael Jackson mentioned.

“Michael Jackson certainly shows signs of Asperger’s Syndrome (AS). His unusual behaviour has often been blamed on his upbringing, however his siblings are relatively normal, with a similar upbringing, so I do not feel this is the cause. Michael is often seen as shy, and has difficulty relating to many people. His friends are a few people with whom he has common interests, especially the background of being a child star. He mostly seems to be able to relate to children, however, perhaps reflecting the social immaturity which may be seen in Asperger’s. Regardless of maturity level, people with Asperger’s seem to be more comfortable with those older or younger than their peer group. This has never been confirmed but many sources feel there was a possiblity he might of had Asperger Syndrome.”

Famous People With Asperger’s Syndrome

Jackson’s precocious talent and troubled life are indicative. And though these men handled it much differently, a number of artists with seemingly autistic traits are profiled in the blog, among them Artie Shaw, Bob Dylan and David Byrne.

A Difficult Life

My dilemma is how to mention his dysfunctional personal life. There are things he did that I can’t condone. I don’t like that he was such a perfectionist, and wished he had tried more songs, more albums, and taken more chances. Most of my favorite artists write songs and then try them a few times, with real musicians. If it’s good enough, fine. Move forward, like Van Morrison.

He faced some brand of alienation his entire life, and hundreds, sometimes thousands depended on him for their livelihood. A hard burden to bear.

At some level he took his fame and greatness too seriously, more important than simply being a great rock star. He was intensely competitive; a tough kid from a very tough family, and ultimately, he couldn’t accept anything resembling failure. By the end he was sick and artistically paralyzed, as hard as he tried. But no matter how great you are Michael, everybody has a career, and yours was one of the best.

Song Notes:

1. Over the years, Motown released various mixes of their hit songs. I listened to a few versions of the great Jackson 5 songs, looking for the best sound. The stereo version of “The Love You Save”, “Never Can Say Goodbye” and “I Want You Back” are found on 20th Century Masters: The Millenium Collection. But the original mono mixes of “A.B.C.” and “I’ll Be There” leap from the grooves of the original Motown box set Hitsville USA, The Motown Singles Collection 1959-1971. Well worth getting the best version here. In addition, there are nice alternate versions of “Never Can Say Goodbye” and “I’ll Be There” on a recent release called Stripped Mixes.

2. Keyboard player Rod Temperton was instrumental to the success of Off The Wall. He was recruited after his band Heat Wave achieved success with “Always And Forever” and “Boogie Nights”.

3. I wrote a post about Michael Jackson shortly after he died. The tone is heartfelt, but sadder and angrier.

Link to Michael Jackson Post from June, 2009

4. “Rock With You” may be the prettiest piece of rock music ever made.

Jackson 5 Songs:

I Want You Back, Jackson 5 ✭✭✭✭
ABC, Jackson 5 ✭✭✭✭
The Love You Save, Jackson 5 ✭✭✭✭
I’ll Be There, Jackson 5 ✭✭✭✭

I’ll Be There (Alt), Jackson 5 ✭✭
Never Can Say Goodbye, Jackson 5 ✭✭

Never Can Say Goodbye (Alt), Jackson 5
Dancing Machine, Jackson 5

The Jacksons Songs:

Shake Your Body (Down To The Ground), The Jacksons ✭✭✭

Enjoy Yourself, The Jacksons
This Place Hotel, The Jacksons
Blame It On The Boogie, The Jacksons

Michael Jackson Songs:

Off The Wall, Michael Jackson ✭✭✭✭✭

Beat It, Michael Jackson ✭✭✭✭
Rock With You, Michael Jackson ✭✭✭✭

Bad, Michael Jackson ✭✭✭
Billie Jean, Michael Jackson ✭✭✭
Don’t Stop ‘Til You Get Enough, Michael Jackson ✭✭✭
Wanna Be Startin’ Somethin’, Michael Jackson ✭✭✭
Human Nature, Michael Jackson ✭✭✭
The Girl Is Mine, Michael Jackson & Paul McCartney ✭✭✭

P.Y.T. (Pretty Young Thing), Michael Jackson ✭✭
Man In The Mirror, Michael Jackson ✭✭
Don’t Stop ‘Til You Get Enough (Alt), Michael Jackson ✭✭
I Can’t Help It, Michael Jackson ✭✭

Workin’ Day And Night, Michael Jackson
Give In To Me, Michael Jackson
Girlfriend, Michael Jackson
Say, Say, Say, Paul McCartney & Michael Jackson
Childhood, Michael Jackson
She’s Out Of My Life, Michael Jackson
Got To Be There, Michael Jackson
Heal The World, Michael Jackson

Related Songs:

O.P.P., Naughty By Nature ✭✭✭

Somebody’s Watching You, Rockwell

That’s The Way Love Goes, Janet Jackson ✭✭✭
When I Think Of You, Janet Jackson ✭✭

Boogie Nights, Heat Wave ✭✭
Always And Forever, Heat Wave ✭✭✭

Fat, “Weird” Al Yankovic ✭✭✭
Eat It, “Weird” Al Yankovic

Just beat it, beat it, beat it, beat it
No one wants to be defeated
Showin’ how funky and strong is your fight
It doesn’t matter who’s wrong or right

— Michael Jackson

Welcome! Your Comments Are Appreciated.

Hi. I’m John. Welcome to my music blog. I received my first iPod for Christmas in 2004. Over time, I became more serious about creating a great collection of music. I enjoy writing, and started this perpetual blog which documents the evolution of my iPod collection. By August 2009, I had rated all 8100 songs; like the collection itself, the ratings are adjusted over time. In September, 2009, I began an artist countdown, where each artist with ten or more songs is profiled, an exercise which should take me well into 2012. See the “Artist Countdown” and “Introduction” pages for more details.

Sharing Our Stories

“Music has a way of indelibly searing an experience in your soul.”

— Dávid Guzman

I am not a musician. I know a little bit about guitar and chord progressions, but am not sufficiently educated to offer significant musical analysis. I hope practice will improve my skill. Often, I will quote the work of the gifted music critics, while referring the reader to websites where their books can be purchased.

But I have a powerful memory, and know lots of songs. Some songs take me to a time and place in life: a memory, a friend, a story. Now middle-aged, I’ve lived long enough to have stories to tell. The blog is a way of sharing my life and the lessons I’m learning along the way.

I’d like to read your stories, too. Especially when a song or artist transports you back to a special moment in time. It can be a happy moment; for me, memories can also be painful and bittersweet. Together we can compile a list of stories. Thanks again, and enjoy the videos, the lists of suggested songs, and my stories.

End Of April 2010 Summary

Sorry for the long hiatus.

Not much work was accomplished on the collection in April. The new songs added are as follows:

Hello Again, Neil Diamond
Squeeze Box, The Who ✮✮
Lines On My Face (Live), Peter Frampton ✮✮
Tell Me What I’ve Done, Howlin’ Wolf ✮✮
I’ve Got That Thing, Catherine Russell ✮✮

Space Oddity (Live), David Bowie ✮✮
Don’t Fight It, Wilson Pickett
Cry Baby, Garnet Mimms & The Enchanters ✮✮
Consolacao, Baden Powell ✮✮✮
Steady As We Go, Dave Matthews Band ✮✮

Better Things, Sharon Jones & the Dap-Kings ✮✮
Baby, Let Me Hold Your Hand, Ray Charles ✮✮
Evenin’, Count Basie ✮✮
(If Lovin’ You Is Wrong) I Don’t Want To Be Right, Luther Ingram ✮✮
It’s Alright To Cry, Rosey Grier

Say Man, Bo Diddley ✮✮
Tore Down A La Rimbaud, Van Morrison ✮✮
Lonely Boy, Paul Anka
Crowded In The Wings, The Jayhawks ✮✮✮

Next up will be a discussion of “Crowded In The Wings”, then back to the big countdown.

115. Dion DiMucci

Once again, Dion was a bit before my time, so there are no real anecdotes to share. He was a doo-wop singer from the Bronx who achieved stardom in the late 1950s and early 1960s. After suffering a difficult period of drug addiction in the mid-1960s, he returned to the charts with “Abraham, Martin and John” right after the assassination of Bobby Kennedy in 1968.

Dion’s Wikipedia Page

This is probably lip-synced, but very cute nonetheless:

After becoming familiar with his big hits like “Runaraound Sue”, “The Wanderer” and “Donna The Prima Donna”, I then discovered Dion’s version of The Drifters’ hit “Ruby Baby”. I have the 45 RPM record from my collecting days in the 1980s to prove it. Here’s Dion is mid-life, performing on the Late Late Show:

Dion’s last top 40 hit was “Abraham, Martin and John”, released shortly after Bobby Kennedy’s assassination in 1968. The released recording is sweet, but a bit overproduced. I remembered seeing him perform the song on the Smothers Brothers Comedy Hour as a child, and luckily, this superior performance is available on YouTube. I greatly admire his ability to play in the finger style, while singing soulfully. The man has a beautiful voice.

In between his doo-wop days and the folk song “Abraham, Martin and John”, Dion produced a lesser known body of blues-influenced work which stands up nicely to the test of time. I have tried to include a few songs from that period. Dion was inducted into the Rock And Roll Hall Of Fame in 1989.

Ruby Baby, Dion ✭✭✭✭
Runaround Sue, Dion ✭✭✭✭
The Wanderer, Dion ✭✭✭✭

Baby, I’m In The Mood For You, Dion ✭✭✭
Work Song, Dion ✭✭✭
You Better Watch Yourself, Dion ✭✭✭
The Road I’m On (Gloria), Dion ✭✭✭

Two Ton Feather, Dion ✭✭
Lonely Teenager, Dion ✭✭
Lovers Who Wander, Dion ✭✭
Abraham, Martin And John, Dion ✭✭
Donna The Prima Donna, Dion ✭✭
I Wonder Why, Dion ✭✭
Ruby Baby (Alt), Dion ✭✭

147. Toots & The Maytals

Toots & the Maytals are part of the initial wave of reggae bands from Jamaica, part of the ska movement that morphed into the reggae sound of the late 1960s and early 1970s.

Official Toots & The Maytals Website

Wikipedia Site with some history

The CD to acquire first is clearly Funky Kingston, which I first picked up sometime in the late 1970s or early 1980s. Extremely strong reggae album, probably my second favorite behind Jimmy Cliff’s The Harder They Come soundtrack. One of his best songs, “54-46, That’s My Number” is not on this album. Toots is also the first to use the term “Reggay” in a song.

A personal favorite is his interpretation of John Denver’s “Take Me Home, Country Roads”. “Sweet And Dandy” is an unusual and fabulous wedding song.

Here are the ten songs in the collection:

Pressure Drop, Toots & The Maytals ✭✭✭✭
Take Me Home, Country Roads, Toots & The Maytals ✭✭✭✭
Sweet And Dandy, Toots & The Maytals ✭✭✭✭

Time Tough, Toots & The Maytals ✭✭✭
Funky Kingston, Toots & The Maytals ✭✭✭
54-46 Was My Number, Toots & The Maytals ✭✭✭
Louie Louie, Toots & The Maytals ✭✭✭

Got To Be There, Toots & The Maytals ✭✭
Sailin’ On, Toots & The Maytals ✭✭
Do The Reggay, Toots & The Maytals

Wynonie Harris

Wynonie Harris is a blues shouter who performed in the late 1940s and early 1950s. His most famous songs are very blue in nature, virtually all related to sex and alcohol. He was very popular in his day.

Wikipedia Entry for Wynonie Harris

I first heard Wynonie Harris on a San Francisco radio show, M. Dung’s Sunday Night Idiot Show, in the mid-1980s. I bought an LP of his greatest hits, performed under the King label in Cincinnati, Ohio.

The three songs most worth having are “Bloodshot Eyes”, “Quiet Whiskey”, and “Keep On Churnin’ (Till The Butter Comes)”, perhaps the single most explicit song in the collection. Also of note is a very popular version of “Good Rockin’ Tonight”, written by Roy Brown and also covered by Elvis Presley.

His music is rudimentary but fun. There are no worthwhile video clips available on YouTube.

Bloodshot Eyes, Wynonie Harris ✭✭✭
Quiet Whiskey, Wynonie Harris ✭✭✭
Keep On Churnin’, Wynonie Harris ✭✭✭

All She Wants To Do Is Rock, Wynonie Harris ✭✭
Sittin’ On It All The Time, Wynonie Harris ✭✭
I Like My Baby’s Pudding, Wynonie Harris ✭✭
Good Rockin’ Tonight, Wynonie Harris ✭✭
Who Threw The Whiskey In The Well?, Wynonie Harris ✭✭

Lovin’ Machine, Wynonie Harris
Don’t Take My Whiskey Away From Me, Wynonie Harris

Related songs:

Good Rockin’ Tonight, Roy Brown ✭✭
Good Rockin’ Tonight, Elvis Presley ✭✭✭
Good Rockin’ Tonight, Paul McCartney ✭✭